Planning
A2 music video planning
Concept & Mood Yeah bumps hugs and laughter. • Handheld Shot: Capture raw energetic scenes of excitement.
Car Drive Sequences
• Inside Car:
• Over the shoulder shot: Driver looking into the rear view mirror.
• Close-up: Hands on steering blending music, blasting on the sound system while friends sing along.
• POV: Looking through the window at the sceneries flying by.
• Outside the Car:
• A tracking shot on the car as it goes through curvy roads or through the city. •
Slow-motion: A friend sticking their hand out of the window, feeling the wind.
• Side-angle tracking shot: Car passing by with friends laughing inside.
Destination: Chill & Fun Moments
• Wide shot: Friends getting out, stretching, enjoying the view.
• Close-up: on what the friends are doing
• Group shot: Toasting with drinks, running around, playing music.
- Editing & Aesthetic
• Color Grading: Warm and nostalgic (golden tones, soft lighting).
• Transitions: Smooth crossfades, whip pans, jump cuts synced to the beat.
• Effects: Light film grain, slow-motion, split screens, lens flares.
Our instagram page
https://www.instagram.com/sibra__productions?igsh=MWsxMTYxZGw1MmE5cg==
Pre-Production
Character profile & Costumes
SIKANDAR USMAN
COSTUME
• jacket (Blue and white )
• jacket ( Green)
• black t-shirt
• black trousers
• white air force 1 ( shoes)
ZAIN SHEIKH
COSTUME
• blue knitted shirt
• beige pants
• jordon 1 highs macha ( shoes)
HUSSAIN YOUSAF
COSTUME
• black hoodie
• black pants
• black n white air force 1 (shoes)
IBRAHIM KHALOON
COSTUME
• plain black hoodie
• black trousers
• black Air Force 1( shoes)
Risk Assessment
Robbery: low chances because we were shooting at night around 12,1 am so there was a small chance that someone could have robbed us
Crash : high chances because of rolling shot we had to make alot of fly bys and alot of shots which needed the car to be above 100+ kmps
Injuries: high chances while taking the rolling shoots the camera man ( me ) was sitting in a open trunk so any sudden brake would have resulted in the cameraman falling out of the car and getting hurt badly
Location
Budgeting
One liner
Cruising through the city with my day-ones, engines roaring, memories loading—this is more than a meetup, it’s the soundtrack of friendship, freedom, and the road ahead.
Script
SCENE 1 – EXT. GARAGE– EVENING
TRACKING SHOT
Two cars are parked side by side. The camera glides past the windows, revealing two individuals sitting inside, silently focused.
CUT TO:
The cars rev up and pull out of the lot, driving off.
SCENE 2 – INT./EXT. MOVING CAR – DAY
SHOT FROM INSIDE THE CAR
We see the driver’s perspective, hands on the wheel, the road stretching ahead.
SMASH CUT TO:
The two characters are now outside their cars. One leans casually on the driver’s door, the other stands confidently in front of their car.
SCENE 3 – EXT. PARKING LOT – DAY
WIDE SHOT
Two different people are hanging around the lot. Music, chatter, energy.
CUT TO: DASHCAM VIEW
A close-up of the car engine revving—camera shakes slightly with the power.
SCENE 4 – EXT. STREETS – VARIOUS
ROLLING SHOTS BEGIN
Multiple angles show the cars gliding through the city:
– TRACKING SHOT alongside the cars
– CLOSE-UPS of wheels spinning, eyes in the rearview mirror
– POV SHOTS from inside the cars
SCENE 5 – EXT. STREET – NIGHT
POV SHOT
Both individuals stand beside their cars, facing each other with quiet intensity.
CUT TO: TRACKING SHOT
Their cars race past the camera in a synchronized motion.
CUT TO:
They’re now dancing—one seated on the trunk of his car, the other moving freely in front of his, the vibe carefree and electric.
SCENE 6 – INT. CAFE – NIGHT
A LONELY SHOT
An individual sits alone at a small table, the neon sign behind him glows:
“Kisses, Hugs, and Love”
CUT TO:
He takes a drag from a cigarette.
(TEXT ON SCREEN: “Smoking is injurious to health”)
SCENE 7 – EXT. MAIN ROADS – NIGHT
CLOSE-UP SHOT
The same individual grips the wheel, his face focused, lights reflecting off his eyes.
CUT TO: TRACKING & CLOSE-UP ROLLING SHOTS
The car speeds down the road, slicing through the night with power and grace.
